Photographing The Beautiful Iowa Woodland Wildflowers


What was once a land of grasslands, immense prairies and undeveloped savannahs, Iowa has experienced vast changes over the last one hundred and fifty years. In spite of the drastic human development, the woodlands remain the most enduring remnants of Iowa’s biological population. In early spring, the woodlands seem to explode with life layer by layer. The first Iowa woodland wildflowers begin peeking through layers of fallen branches and dead leaves. These spring woodland flowers are some of the most colorful and abundant.

The first to bloom, usually in April, are the light pink-white or blue Hepatica, white Bloodroot that “bleeds” a reddish-orange liquid when the stem is broken, white Trillium, pale pink or white buttercup-like Rue Anemone (Wind Flower) and the aromatic drooping Dutchman’s breeches. Early May brings out the nearly hidden maroon flowers of Wild Ginger, Common Violets in yellow, white and violet shades, the blue petal Virginia Bluebells and the nearly stem less white Dog-tooth Violet. Mid-May starts showing the bluish-lavender flowers of Jacob’s Ladder, white and lavender Virginia Waterleaf (named because of the spots on the leaves), and the favorite Jack-in-the-Pulpit pale green flower with the inflorescent center.

Wildflowers in such vast quantities capture the attention of photographers that film nature more than almost anything else. Nothing can surpass the beauty that nature itself supplies for us. Massive fields are beautiful as photographs just as they are, or as backdrops for photo shoots especially of children or for weddings. Each individual flower is beautiful. Often these pictures are seen on postcards or greeting cards. Nothing needs to be added inside to make these a special gift in itself.

If interested in photographing wildflowers at their best, it is imperative to have certain basic equipment. The standard 35mm camera is a must. Adding a close-up lens or macro-lens is preferred for a better outcome. Some nature photographers prefer the 105mm macro lens and others prefer the 50 or 55mm macro lens. The perfect lighting for nature video or still photography is essential. At noon the bright sun will wash out the petal colors, so early evening or morning is the most opportune time for catching the warm colors that pay tribute to the blues, reds and yellows of the petals. Often times a cloudy day is perfect since it serves as a light diffuser. Although natural light is the most ideal, if that is not possible, an electronic flash will sometimes be a good alternative. If it is possible to backlight or sidelight the flowers, it will bring out a radiant glow accentuating the venation in the leaves and petals. Holding the camera steady is nearly impossible, so the use of a tripod or a bean bag to steady the camera is best. When photographing an individual flower you must get down close and personal to the flower to get the best possible picture. Focusing directly at the center of the flower will make sure the brilliantly focused flower, which is your main subject, is accentuated by a blurred background. However, at high magnifications, the depth of field, which is the depth of the image that is in sharp focus, is very shallow. So make sure the most important part of your flower is in sharp focus. Oftentimes when filming Iowa woodland wildflowers there has to be a compromise of a small enough aperture to have all the flower in focus but large enough so that you are maintaining a blurry background to make the flower stand apart. The wind can be a major obstacle in trying to get the perfect picture. Increasing the shutter speed on your camera will help alleviate that problem. If the light is dim, you may have to increase the ISO of your camera to accomplish that.

Fortunately, the tall trees that canopy the wild flowers are the last to leaf out. Once they are in full leaf, they block out the sunlight that is necessary for the wildflowers to survive. Regrettably, this marks the end of their season and the Iowa woodland wildflowers disappear until the beginning of the next spring thaw.

How Fire Shaped the Tallgrass Prairies of America’s Heartland


Tallgrass prairie fires were once a common occurrence, and had a considerable impact on nature and wildlife. Such fires were typically the result of lightning strikes that occurred during the frequent thunderstorms experienced by the region. Because of the area’s dry conditions, high winds, and absence of obstructions, fires would spread quickly and could travel quite far. This prevented the growth of woody vegetation such as trees, which resulted in the grass-filled ecosystems that are now seen throughout the prairie states.

Prior to European settlers entering the region, indigenous Native American tribes often started fires as way to manage wildlife. Such fires were a tool to drive bison toward more convenient hunting ground, and the renewed growth that took place after the fire appealed to bison herds, and helped to predict their movement.

The region’s fires even influenced the prairie’s rich soil, which was what first attracted settlers to the area. The fires removed the layers of organic waste and dead plants that prevented necessary nutrients from leaching into the soil. In addition, such waste kept the soil cool, but once removed, the sun’s rays could warm the ground. The waste that results from such fires is easily broken down, and vital nutrients can once again enter the soil, creating the ideal environment for new plant growth. The root systems of prairie vegetation are deep, therefore, even if the surface shoots are burned, regrowth takes place quickly.

The tallgrass prairie is a severely endangered ecosystem. Although much of this danger is the result of habitat loss due to development and farming, the decrease in natural fires has had a considerable impact the on undeveloped prairie tracts. Woody vegetation and invasive plants are no longer restrained by fire and are starting to invade these ecosystems. The dead plant waste layers are allowed to accumulate, impacting the growth of various grasses. This will ultimately change the very roots of the Tallgrass Prairie Ecosystem.

Due to the aforementioned considerations, wildlife management agencies are developing a strategy of controlled fires to help the prairie ecosystems survive in the most natural way possible. This is typically accomplished by carefully selecting a day during the most suitable time of year, and creating a controlled burn. Firefighters are present to ensure the fire does not burn out of control. This is an effective and safe avenue through which these natural areas can be restored to their original state.

While common sense dictates that fires are destructive and dangerous, it is essential to understand that they are vital to the maintenance of prairie ecosystems. With carefully managed burns, renewed growth can be encouraged by wildlife management agencies, and our prairies can be restored to their natural condition.

Best Challenge Ever?

I’m in the middle of another UWOL Film Challenge. The theme for this challenge is “Renewal.”

So far I’ve shot some fantastic footage. Maybe some of my best. I find myself chomping at the bit in anticipation waiting for the next opportunity I can get out and shoot for this challenge.

The new camera is simply amazing. The quality of the footage continues to blow me away. While they may announce a new version of the camera this month, I think it’ll be hard to beat what I’m getting right now. It’s simply stunning.

This also may be the most personal challenge I’ve done for the competition. Maybe that’s why I find myself so anxious to get out and shoot for it.

The film is due on September 20th. So, certainly not a lot of time to tweak it so it’s just right.

I’m going to try and shoot the one crucial scene tomorrow. If I don’t get that shot then the whole film will fail. So, it’s really, really important that I get this shot and I get it right. I’ve been trying for over a week to try and find a way to make it a simple shot and still make it clear what is going on without looking too cliche. I guess we’ll find out tomorrow if I was able to pull it off or not.

I’ll be up before sunrise tomorrow working on getting some more shots to fill the gaps in the story before I head out for the big shot of the day.

There’s nothing like being out in nature that moment just before the sun peeks over the horizon. There’s no way I can describe the feeling. It’s as close to being magical as anything can be.

I hope tomorrow is a good day! I’ll keep you posted!

It’s POC time!

There’s a project I’ve been wanting to do for over a year now. But in order to do it right I really needed another HD camera. I suppose I could have used one of my SD cameras but if I was going to do it right, I should go ahead and invest in another HD camera.

So after a lot of research and talking to people I finally bit the bullet and ordered another camera.

The thing about this camera is that it’s tiny. Tiny enough that no one would pay me much if any attention. It seems now days, that’s becoming more and more important.
The other reason I wanted a small camera is if I have to bring two complete camera systems into the field, I need something that’s not going to weigh a ton and be able to fit in the bags I currently own along with my other HD camera.

This one fits the bill on both of those.

The scary thing is that this little dynamo is capable of create better footage than my big camera. The downside is that it lacks a lot of the tools my other camera has to allow me to take some fantastic footage.

So it’s another learning curve to figure out what works and what doesn’t. Tweak a setting here, adjust a little there.

But I think it’s all going to be worth it. I feel I have the right tool to start on my project which I think is going to allow me to pursue a life of filmmaking.

Just a few more tweaks and I think I’m good to go.

All the images on this page are grabs from the new camera. Below is some footage I shot today at one of my favorite local haunts, Indian Creek Nature Center. Another Proof of Concept video to see if the camera could in fact do what I needed it to do.

So what’s this big project that required a second camera? All I can say is stay tuned, I’m working on it!

[flv:http://www.silverphoenixllc.com/phoenixblog/movies/Prairie_GH1.flv 592 331]

The Little Things in Life

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They say you get wiser the older you get. I think the same is true when it comes to cinematography as well.

I remember my first serious video camera like it was only yesterday. I couldn’t wait to unpack it, charge the batteries, stick in a tape and start capturing the natural world around me.
I don’t quite remember what was the first thing I ever pointed it at and hit the record button, but I do know I was all over the Iowa countryside filming anything and everything.

I also remember I couldn’t wait to take it to Yellowstone. I had been going there for years shooting still photographs and couldn’t wait to capture Yellowstone in motion. I wasn’t disappointed. I captured moose, elk, grizzly bears, glorious waterfalls, fantastic geysers. I was a happy camper.

And so, that’s the way it was year after year. Arches National Park to film Delicate Arch. Grand Teton’s to capture Mount Moran reflected in a still alpine lake. The Grand Canyon, Kings Canyon, Yosemite all stood in front of my camera lens.

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One day, a few years ago, I decided to participate in a program at the Indian Creek Nature Center. It was a prairie walk. The Nature Center had been working for years to re-establish a tallgrass prairie and the effort was really paying off. Only about one percent of the native tallgrass prairie remains in Iowa having been plowed under in just a single generation. I had been to this prairie many times before and thought this trip would really be no different.

As I walked through the prairie with Education Facilitator Jan Aiels, I was looking for the big prairie prizes as I always did. The Cardinal Flower, Purple Coneflower and the other “stars” of the prairie had always been the object of my interest.

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I didn’t know that in just a few moments, my view of the natural world would be cut down to size and forever changed.

We walked on the trails cut within the prairie until we came to a clearing where the center had laid logs around the perimeter for people to sit, talk and contemplate. I sat and listened as Jan talked about the vast prairies that once covered Iowa and just enjoyed being there taking in the cool early evening air as I listened.

Jan talked about the diversity of the prairie and the amazing amount of life it supported. She handed each of us a small plastic “bug box” and suggested we all fan out and try to capture something that interested us.

The moment of change was upon me.

For the first time I really had to slow down and actually “see” the prairie. I was amazed at all that I had passed by. It was easy to see that the prairie was teaming with life if you just took the time to look for it. After a few minutes we all gathered together to look at what we had each discovered. Everyone had “found” something and pretty much everyone had something that was different from what anyone else had.

I had found something that I had never seen before but learned was quite common on the prairie, a froghopper.

It was at that moment that I realized that I had passed by so many opportunities to film amazing creatures and plants. I never realized that there was an entire world right beneath me.

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I began looking at things differently. I slowed down, I took the time to really get to know the areas I visited. There were so many things I would have missed had I not taken the time.

How many Monarch chrysalis had I walked past and never noticed?

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Now I realize that it’s the little things in life that are important. No longer do I look ahead to see what’s bigger and better. I know that some of nature’s best are right at my feet.

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