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A New Challenge Begins

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The latest underwater over land film challenge has begun.

This time around, the theme is “Animal Kingdom.” Why couldn’t I have had this theme when I was in Africa? 🙂

This is a tough time for wildlife filming in Iowa. Archery deer season is currently going on. They even allow hunting inside city limits as well as many parks. So, I’m guessing I’m going to have to find a blaze orange vest to wear as every year several people get shot by being mistaken for a deer.

Most of the birds that migrate have passed trough. The rivers haven’t frozen to concentrate the eagles near open water.

Right now I’m thinking about concentrating on the “Kingdom” portion of the theme and not so much the “Animal” part.

If you have any suggestions for ideas on this theme, send them my way!

The Little Things in Life

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They say you get wiser the older you get. I think the same is true when it comes to cinematography as well.

I remember my first serious video camera like it was only yesterday. I couldn’t wait to unpack it, charge the batteries, stick in a tape and start capturing the natural world around me.
I don’t quite remember what was the first thing I ever pointed it at and hit the record button, but I do know I was all over the Iowa countryside filming anything and everything.

I also remember I couldn’t wait to take it to Yellowstone. I had been going there for years shooting still photographs and couldn’t wait to capture Yellowstone in motion. I wasn’t disappointed. I captured moose, elk, grizzly bears, glorious waterfalls, fantastic geysers. I was a happy camper.

And so, that’s the way it was year after year. Arches National Park to film Delicate Arch. Grand Teton’s to capture Mount Moran reflected in a still alpine lake. The Grand Canyon, Kings Canyon, Yosemite all stood in front of my camera lens.

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One day, a few years ago, I decided to participate in a program at the Indian Creek Nature Center. It was a prairie walk. The Nature Center had been working for years to re-establish a tallgrass prairie and the effort was really paying off. Only about one percent of the native tallgrass prairie remains in Iowa having been plowed under in just a single generation. I had been to this prairie many times before and thought this trip would really be no different.

As I walked through the prairie with Education Facilitator Jan Aiels, I was looking for the big prairie prizes as I always did. The Cardinal Flower, Purple Coneflower and the other “stars” of the prairie had always been the object of my interest.

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I didn’t know that in just a few moments, my view of the natural world would be cut down to size and forever changed.

We walked on the trails cut within the prairie until we came to a clearing where the center had laid logs around the perimeter for people to sit, talk and contemplate. I sat and listened as Jan talked about the vast prairies that once covered Iowa and just enjoyed being there taking in the cool early evening air as I listened.

Jan talked about the diversity of the prairie and the amazing amount of life it supported. She handed each of us a small plastic “bug box” and suggested we all fan out and try to capture something that interested us.

The moment of change was upon me.

For the first time I really had to slow down and actually “see” the prairie. I was amazed at all that I had passed by. It was easy to see that the prairie was teaming with life if you just took the time to look for it. After a few minutes we all gathered together to look at what we had each discovered. Everyone had “found” something and pretty much everyone had something that was different from what anyone else had.

I had found something that I had never seen before but learned was quite common on the prairie, a froghopper.

It was at that moment that I realized that I had passed by so many opportunities to film amazing creatures and plants. I never realized that there was an entire world right beneath me.

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I began looking at things differently. I slowed down, I took the time to really get to know the areas I visited. There were so many things I would have missed had I not taken the time.

How many Monarch chrysalis had I walked past and never noticed?

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Now I realize that it’s the little things in life that are important. No longer do I look ahead to see what’s bigger and better. I know that some of nature’s best are right at my feet.

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“The Prairie” First Runner-Up UWOL Challenge

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The results are in and my film for the international Underwater Over Land film festival took home 1st runner up.

Although the judge thought that the story line could have been improved upon, he had nothing but kind words to say about the imagery:
Kevin Railsback – The Prairie – 1st Runner Up!
The photography was impeccable – great “magic hour” light; the amazing color saturation reminded me of my days 20 years ago when I was working for renowned outdoor photographer Galen Rowell, when I’d shoot stills with Fuji Velvia slide film – gorgeous.

Having my work compared to the work of world renowned still photographer Galen Rowell is certainly an honor. Many years ago when I was shooting stills myself. Galen was an inspiration of mine and probably did help develop my signature style of deeply saturated colors that want to pop off the screen.

Tragically Galen and his wife died in a plane crash on August 11,2002. The above comments by judge Bruce Borowsky were on August 11th, the 7th anniversary of Galen’s death.

As I’ve said many times before, winning is always a great thing, but judging is subjective. Another judge may have not even considered my film for consideration while another may have thought it best of entry.

I think the important thing is to be true to yourself and always strive to do the best that YOU can do. Filmmaking is my passion. For me finishing a film puts me in the winners circle every time.

Check out my entry in the film challenge and let me know what you think.

[flv:http://www.silverphoenixllc.com/phoenixblog/movies/Prairie.flv 592 331]

Silent No More

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A lot of times when I’m out in the field, I like to just sit and listen to the sounds of nature. I enjoy this so much that I invested in a Zoom H4n digital audio recorder to take out with me and capture some of the natural sounds I encounter.

The Zoom H4n by the way is a remarkable recorder. It can record fantastic audio with it’s built in stereo mics but also allows you to plug in 1/4 inch and XLR mics as well.

My first experience recording with it was in Monterey, California. My hotel was right on the beach and at night I could listen to the waves and seabirds outside my window.

Returning back to Iowa I took the Zoom with me on my trips to a tall grass prairie about 15 miles from my home. I was working on my latest film, “The Prairie” for the UWOL film challenge.

It was late in the afternoon and I could hear owls hooting in the nearby forests, birds settling in for the coming night, frogs in the nearby pond, etc. But what amazed me when I returned home to listen to the audio was how much other sounds the Zoom had picked up.

The tall grass prairie is really out in the middle of no where. Yet, I could hear the sound of tractors out in distant fields, motorcycles roaring down roads far in the distance. There were airplanes flying over head and the rumble of freight trains as they made their way across the state. I could hear dogs barking from nearby farmhouses, cars traveling down the lone road that passes by the prairie.

What amazed me even more was that long after a plane flew overhead or a car drove past on the gravel road, their sound continued to be recorded. The pristine natural sounds of the tall grass prairie were being contaminated by a world that had seemed so far away.

No matter how much I felt as one with nature while I sat in the prairie it seems that the sounds of man are still there no matter how much I wish they weren’t.

Africa 2009: Filming Woes

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Once we had our destination locked, I started bombarding Craig Berger from Oasis Africa about filming in Kruger. The problem I quickly learned was that you can’t shoot from the roof like you can in so many other parts of Africa. Getting out of the vehicle is also strictly prohibited except in a few very isolated spots.

Normally you lay a beanbag or some other support on top of the roof and you have a 360-degree panorama of the surrounding area.

So, I’m going to Africa, I’m taking a brand new camera from Panasonic to get them some good footage and I have to sit inside a van and shoot out of a sliding window. The alarm bells were already going off.

So, I tried to find out what other crews did when filming in a situation like that. Well, there really isn’t much info out there. The information that I could find was all on setups that were on top of the vehicle or in an open vehicle.

My first thought was to order a Molar beanbag support. This beanbag looks like a big molar, hence its name. I picked one up, filled it with birdseed and headed out to do some test shooting on the river near my house. The camera picked up any movement or vibration. This wasn’t going to work.

Craig had made some buckwheat hull bag supports that fit over the windowsill. He said that they would absorb a lot of vibration. We also brought along a Cinnesaddle which is basically a beanbag with a cradle shape so that the camera is supported on both sides which normally works great in situations where you can lock down the camera.

I wanted to try and get some time-lapse sequences inside the camps so I wanted to bring a tripod along for those as well.

The State Department has you so scared that I was afraid to pack my Miller carbon fiber tripod legs in my checked luggage for fear I’d never see the $800 legs again. So what to do?

There are plenty of small lightweight carbon fiber tripods for still cameras. I could easily get one of these and make it sort of work for video, but I wanted something that was more than a one use deal. If I was going to spend several hundred dollars, I wanted a tripod that was more suited for video.

Video tripods have what’s called a bowl that sits between your tripod legs and the head. This allows you to loosen one knob and level the entire tripod head so that you can pan and tilt while keeping the camera level. Think of it as an upside down ball head for still cameras.

I finally found a carbon fiber tripod that had a bowl for video and was small enough to put in my carry on bag. It was half the cost of my Miller sticks but for $400 I could put this in my carry on bag and not have to worry if it was going to show up in Kruger or not.

So, I packed a Bogen 503 fluid head, my Feisol CT-3342 carbon fiber tripod and I was good to go.

We arrived in Kruger early enough that we can go out on an afternoon game drive.

We just met Craig, piled everything in the van and we’re off to go film already.

Usually I like to get to know an area a bit so I can get a vibe for how I want to shoot. Not here.

We stopped long enough to check into our lodging, unload everything, heat up some Chakalaka and we were out the door.

Craig has some fantastic buckwheat husk bags that are attached to a metal frame work that fit over the windowsill. For still photography they are fantastic. Plus they make a great arm support when you’re travelling down the road looking for wildlife.

The problem with shooting video is that you have to take this 14 pound camera and BALANCE it on the beanbag. If you let go, the camera tumbles to the ground, game over.

So after a couple days of shooting I had to come up with something else. The footage was ok in many instances but it looked handheld instead of supported.

We tried just about everything we could think of but it was Angi who suggested I sit in the middle seat, flip up the seat closest to the door and wedge my tripod inside and shoot out the window.

So, I scrambled in the van, set up the tripod, mounted the camera and pointed it at some impalas that were grazing on the far side of the camp.

Well what do ya know, as long as I didn’t move inside the van, I was able to get fairly steady footage. As long as we didn’t move around too much it worked out great.

I did the same thing once we moved over to the other van but with its stiffer suspension, even breathing would rock the camera.

So why not go back in Craig’s van? In hind sight I probably should have. But I thought if no one moved, we could make this other van work. We wanted to be able to use Craig as a forward scout. Craig had a pair of radios so we could stay in contact with each other. So if I was filming some impala, Craig could go up ahead and say “Hey, there’s some lions up here.” And off we’d go.

It was a great system because I could stay with a subject and not worry that I was missing something just around the bend. Because of Craig’s forward scouting, I was able to get some fantastic shots that I would have missed if we had stayed where we were.

After each drive, we had one in the morning and one in the afternoon, we’d return back to camp and I would recharge the batteries and transfer the footage to hard drives.

With two 32 gig P2 cards, I never had to worry about running out of capacity. Although I shot so much, I was worried I was going to run out of portable hard drive space. ☺

I brought along 320 gig Western Digital hard drives to back up the footage after each drive. They’re small, lightweight and reliable. They easily travelled in my carry-on bag.

The Journey of a Lifetime

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Safari, the Swahili word for “journey”. Later this month we’ll be taking a journey to Africa.

Many months in the planning, this trip is an incredible opportunity to film some of the most amazing wildlife on the planet.

Although I’m really not at liberty to discuss why we’re going, rest assured, I’ll be working as hard as I can to get the best footage possible.

Internet access is sketchy at best in the areas we’ll be traveling but I’ll try to post updates wherever I can. We have a fantastic guide who has worked tirelessly to provide us the best opportunities possible. He’s a wildlife photographer as well so he understands what we need to get the best footage.

It’s just mind boggling the amount of planning that has to go into a trip like this. Every detail has to be worked out in order to make everything run smoothly. Yet, even with all this planning, we’re still at the mercy of the weather and the wildlife.

You can keep track of the countdown to our departure on our website.

The Broken Silence

I was reading another filmmakers blog the other day about people purposely creating noise to ruin their shots.

I’ve run into the same situation myself on numerous occasions. Mostly it seems to occur when I’m shooting close to a road or in areas where larger groups of people happen to be.

Some people take great delight in honking horns, yelling, peeling out in their vehicles, whatever they can think of to be disruptive.
I’m not quite sure what the reasoning is behind it all. It seems that whenever you’re in an area that is easily accessible to the public, you have these issues.

As soon as you get fifty yards off the road and hike down a trail, people suddenly develop manners. They’ll wait for you to finish a shot. They will stop talking if it looks like you’re filming. They’ll take a different path to not scare away your subject.

I think it all boils down to these people have respect for nature and wildlife. It’s like they feel you’ve taken the effort to go beyond the being tourist driving down the road with their camcorder hanging out the window as they talk on their cell phone.

When you lose sight of the roads, the general stores, the ice cream shops, you enter a world where the horn honkers are too lazy to venture. You only come across people that truly respect nature and enjoy the solitude it can provide.

Of course, it’s a two way street. If I see people approaching, I’ll hold off on taking a shot or I’ll take the time to explain what I’m shooting and why.

Off the road, people have respect for you and your gear. I wish that were true everywhere and not just off the beaten path. I don’t know how many times I’ve been to places like Mt. Rushmore’s observation deck and had people grab my camera on the tripod and start turning it try and get a better view of the Presidents. I usually point the camera down or away from the subject to discourage this practice. One guy was even upset that I had the lens cap on and he couldn’t see anything.

Sometimes you can’t help but shoot near the road or on a boardwalk crowded with people. You just have to grin and bear it. Most days though I find myself grinning. Not because I think these people are funny but because I tend to record a lot of my footage in slow motion. When I do that, my camera doesn’t record any audio. So they can hoot and holler all they want, they’ll never ruin a shot.

But, sometimes whenever it gets to be too much, I just step off the road and enter a world where people have respect for each other and their surroundings. If only the rest of the world could be that way.

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